kenji nakamura photography frozen waterfall

KENJI NAKAMURA PHOTOGRAPHY FROZEN WATERFALL ISO

This is because if the sun (or moon) is not behind the photographer, the rainbow would not be noticeable even if it were there.īlurring the water flow: Get up close using the telephoto range to emphasize the dynamism of the waterfallĮOS 5D Mark II/ EF24-105mm f/4L IS USM/ FL: 105mm/ Aperture-priority AE (f/11, 1/30 sec, EV☐)/ ISO 4000/ WB: Auto In contrast, you would shoot using front light when you have a rainbow in a waterfall. When photographing a waterfall, using semi-backlight will make your subject stand out impressively, allowing you to capture its three-dimensionality. Tip: Waterfalls captured using semi-backlight and waterfalls captured using front light are compelling in different waysĮOS 5D/ EF24-70mm f/2.8L USM/ FL: 30mm/ Aperture-priority AE (f/13, 1/20 sec, EV☐)/ ISO 100/ WB: Auto When using front light, the absence of shadows and dimensionality means that the intensity cannot be captured as adequately.” Rays of light creating semi-backlighting make the spray from the waterfall stand out impressively, capturing its power and intensity. The photo is of the lower section of the Nachi Falls in Wakayama Prefecture, which boasts the highest single drop of all waterfalls in Japan. Rather, the water falls in a given rhythm that greatly varies depending on the height, volume, pressure, and form (vertical, diagonal, cascade) of the waterfall, repeatedly flowing at a fast or slow rate.įor this shot, I used a very fast shutter speed of 1/1,250 sec to boldly capture the waterfall in the moment. “Waterfalls do not flow at a constant rate. (Reported by: Komei Motohashi, Fumio Tomita)įreezing the water flow: Using semi-backlight to bring out the momentary intensity of the waterfallĮOS 5D Mark II/ EF70-200mm f/4L IS USM/ FL: 200mm/ Aperture-priority AE (f/8, 1/1,250 sec, EV-0.7)/ ISO 1250/ WB: Daylight In this article, let’s look at the respective techniques used by two photographers to capture the flow of a waterfall. And once you take into consideration the form of the waterfall and the direction of the light, you’ll find that there is an almost limitless range of possible artistic expressions. There are undoubtedly many people who are unsure whether they should capture a blurred shot of the flowing water, or capture the flow of water frozen in time. When it comes to photographing waterfalls, the shutter speed setting is one major decision that determines the photo you get.

Kenji nakamura photography frozen waterfall